A common problem I see in contests or manuscripts I’m editing is
that the narrative thread isn’t strong enough to pull us as readers through the
story. Here are a few reasons why it fails.
A series of events versus cause-and-effect events.
A plot is not just a series of events. That is boring. It’s
like me telling you about my day: I got up., I exercised, I read my email, I
wrote, I ate lunch… you’re falling asleep because there is no particular reason
why these things happened and nothing of consequence resulted. And there was
nothing bad that happened if one of these things didn’t happen.
Too often writers hear that they need more action in their
stories and they just throw in a bunch of events. What they really need is tension. And tension comes from the
domino-like effect of a story set in motion by what happens in the very
beginning. Because your character chose this certain path in the beginning of
the story, she has now set off an irreversible series of events. That tension
between disaster and success is what keeps your readers reading.
Lack of goals
What does your POV character want at the beginning of the
scene? Notice I said POV character. Depending on the scene and how many POV
characters you have, this could be the hero, the love interest, the villain,
etc. Whoever it is, this is their scene. What do they want?
You need a goal to keep your scene moving the plot forward
and to make your character proactive. Nobody likes a hero who waits to get
rescued. No one finds it interesting when things just “happen” to work out.
Even when our villains have goals, it makes us more emotionally engaged because
now we’re afraid for the hero.
The more desperately a character wants something, the more
interesting and emotionally involving the scene becomes.
Lack of conflict
We talk a lot about conflict because it is one of the
hardest areas for writers. We are geared in our personal lives to avoid,
minimize, or resolve conflict. It’s hard to just turn that off and revel in
conflict. But that’s what we need to do.
This is not just about fighting or arguing. This is better
termed obstacle, for it’s really the
series of obstacles that stand in the way of your POV character getting her
way. You must have this. If your POV character gets her goal without conflict,
that’s boring and not emotionally engaging. The value of the goal comes from
the struggle. The bigger the goal, the bigger the struggle.
Conflict must come from motivation
And while doing all that, conflict must be believable. We
want powerful, original conflicts. But they have to make sense to the reader.
There needs to be an underlying logic behind every action your characters take.
They need to be motivated by the backstory we have discovered about them.
But, characters don’t always do the smart thing. Everyone
has a weakness, a flaw, or something that would cause them to behave
irrationally. Maybe an opposing character deceives them into making a mistake,
or maybe they deceive themselves and make a wrong move as a result.
- · What’s something your character wouldn’t do under most circumstances?
- · What would force them to do it?
Taking it deeper
- · What ideas about conflict spring naturally or potentially simply from the story idea?
- · List potential internal conflicts you’ve uncovered as part of digging into your characters’ backstories. What external factors could you add to make these internal conflicts even worse?
- · Looks for places where your main characters have desires that compete. How can you sharpen the contrast so that if they get one, they cannot get the other?
- · Can you up the stakes using one of these methods?
o Creating
a deadline to increase time pressure
o Saddling
one of your main characters with an unexpected handicap
o Revealing
new, unexpected information that will make the situation worse
Now go write your story!
Jennifer and the other Pencildancers have released Worthy to Write: Blank Page Tying Your Stomach in Knots? 30 Prayers to Tackle That Fear. Jennifer's latest books~ Protective Custody: A cop burned by love falls for a key witness in a crime implicating the town’s rich and powerful. Coming Home A strong- willed young woman must discover her brother’s killer before she’s the next victim. The prequel, Be Mine, is also available. Can a simple thank you note turn into something more? Get the first chapter of Coming Home and Protective Custody at www.JenniferVanderklipp.com
Jennifer and the other Pencildancers have released Worthy to Write: Blank Page Tying Your Stomach in Knots? 30 Prayers to Tackle That Fear. Jennifer's latest books~ Protective Custody: A cop burned by love falls for a key witness in a crime implicating the town’s rich and powerful. Coming Home A strong- willed young woman must discover her brother’s killer before she’s the next victim. The prequel, Be Mine, is also available. Can a simple thank you note turn into something more? Get the first chapter of Coming Home and Protective Custody at www.JenniferVanderklipp.com
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